The attention to detail and the german occultism almost beats out Coppola's Dracula from 1992 and I saw that on opening night on acid. Who needs weird metal head cages when you have Lily-Rose Depp's appalling vulnerability, Willem Dafoe's everything, and Simon McBurney's willingness to bite the head off a pigeon wtf. Does not quite beat the bat scene from Shadow of the Vampire.
Graphic, jumpscares, grotesque, gorgeous, overwhelming. Watch at own risk.
Can't rec, not well made enough to compensate for unaddressed misogyny and rape culture. I recognise the franchise punched an entire generation in the ID, and I get that the fantasy of getting to have intimacy while existing in that culture is powerfully attractive. I'm glad so many people got pleasure from it. For myself, I'd rather engage with fantasy where the default is not misogyny and rape culture.
Mockumentary about the creation of the 1922 Nosferatu: A Symphony of Horror which was a silent German Expressionist unauthorized adaptation of Bram Stoker's Dracula. This is exquisite, hilarious, and horrifying in turns. The plot hinges on movie Director Friedrich Wilhelm Murnau's (John Malkovich) obsession with authenticity that drives him to hire a real vampire and pass them off to the crew as a method actor. Willem Dafoe absolutely nails Count Orlok / Dracula (name changed due to blatant copyright infringement) with a gleefully unhinged portrayal of a vampire playing an actor playing a vampire.
Watch back to back with Nosferatu: A Symphony of Horror (1922) for maximum effect.
Japan has barely recovered from the Second World War when a gigantic peril emerges off the coast of Tokyo. Koichi, a deserter traumatised by his first confrontation with Godzilla, sees this as an opportunity to redeem his conduct during the war.
A++ kaiju effects and a very humane tragic historical narrative anchoring the story.
In a post-apocalyptic world (simultaneously exquisitely future-tech), a chosen few struggle to find and save the unborn child of lab subject SUM-80.
Bachchan is fabulous, as is Prabhas who is obviously having a ball, I wish Padukone had more to work with, but Patani is a gem, and Suresh (who is voicing an AI) is perfect.
Kareena Kapoor is delightfully cynical and just a little lightfingered, Kriti Sanon who I last saw in Diwale (2015) has seriously lifted her acting chops (to be fair Diwale did not give her the same opportunities) and between her outfits and her ability to shoulder-lock arse slapping travelers she is thoroughly enjoyable. Tabu was also rock solid and last seen by me in Haider (which was an exquisite, exquisite gem). 9:52 AM Also passes the bechdel test so thoroughly it's past the finish line and in a bar with a giant bottle of champagne and two lobsters.
I'm just sad Rajesh A Krishnan (director) and Nidhi Mehra & Mehul Suri (writing team) don't have any other collaborations but I'm now eyeing off Lootcase (2020) by Rajesh A Krishnan and Veere Di Wedding (2018) by Nidhi Mehra & Mehul Suri.
Romance comedy drama written and directed by Sooraj Barjatya and made special by Sanjana (Kareena Kapoor) the most EXTRA young woman who is definitely not hoping for an arranged marriage. Enter Prem Kishen (Hrithik Roshan) via Sanjana's sister's connections who is charming, outgoing, and utterly lovable. Sanjana's suitor-repelling pranks are hilarious and ineffective and a connection forms but ALAS, THERE IS MORE PLOT. Props to Johnny Lever for a great comedic job and to Abhishek Bachchan for bringing exactly the right kind of gravitas and unspeakable hotness.
This is so much fun, and so, so extra, I adore Kareena Kapoor's over the top acting in this, when she gets bullied into singing for him by her mother and just SCREAMS it's fantastic. Balanced by some truly tender end-game plot. Ridiculous and delightful. The stuff about the feet and hands, the couple who keep making out in the car, the scream.
Directed and co-written by Vishal Bhardwaj with Basharat Peer (author of Curfewed Night, a memoir of the ongoing anti-India insurgency in Jammu and Kashmir). Haider is set in Kashmir in the mid-90s where the ongoing anti-India insurgency in Kashmir has resulted in a massive Indian security presence, insurgency by multiple militarised groups, and Kashmiri youths crossing into Pakistan for arms and training. The violence and human rights violations killed tens of thousands.
Some of the fun is in learning who plays what roles as you watch so I'll skip any recap and just say it's brutal, well-paced, beautifully adapted and very, very well written. The women have much richer roles and more agency, and the ghost's truth is cruelly multi-layered, transforming the revenge narrative into something a little more complex. The scarf, the mousetrap, the flashbacks. Wow.
Created on country in North East Arnhem Land with the Yunupiŋu family, Buŋgul is a ceremonial celebration of one of the transcendent albums of our time. You’re invited to experience the traditional songs, dances and paintings that inspired Gurrumul’s final album, Djarrimirri (Child of the Rainbow), in a live performance by Yolŋu dancers, songmen and the West Australian Symphony Orchestra directed by Senior Yolngu Don Wininba Ganambarr and Nigel Jamieson.
Djarimirri was Gurrumul’s gift to the world. An astounding achievement of music acclaimed the world over, it presented traditional songs and harmonised chants from his traditional Yolŋu life with hypnotic orchestral compositions. Now, in his honour, his family add a further cultural and immersive visual dimension to this historic work, performing the songlines that have forged their identity and every aspect of their existence since the beginning of time.
Buŋgul represents a majestic union of two disparate worlds. It points to a potential contemporary Australian identity grounded in and drawing upon the extraordinary knowledge, understanding and wisdom of First Nation People that inspires us all listen to and care for the precious land we share.
I read a book, I'm reading another one!
Gaia Jones just wants to run a snack bar and what better place to do it than the giant alien facility built by their brand new... 'friends?' from outer space. Her somewhat antisocial life-style takes a hit when she assists an alien with an illness and inadvertently takes on a lot more than she expected.
Mad points for plausible interesting aliens and alien contact.
Queer women, women being awesome.
Read everything she has written, there's lots.
Queer women. Cruelty to women. Slavery. Read it anyway.
A fun look at what happens when an entire airplane worth of passengers get superpowers - not the most sophisticated writing but good idea and good characters. Fun!
Thoroughly interesting and enjoyable. Some body-horror. Yes, she does think she is a planet. No, I don’t want to spoil it.
The unnamed protagonist meanders through a fabulous mosaic of folk tales. Reminds me of books like the Red Fairy Book by Andrew Lang (1890), The Palm-Wine Drinkard (1952) has that same delightful lack of self-consciousness and weird, rambly lack of adherence to more conventional and more modern writing traditions.
This is rich, evocative, and full of complex language and details. I can see why it was Booker shortlisted, they all seem to have that intensely personal, wordy style.
I want to love this more than I do, the (realistic) sexual violence makes me angry and sad and my willingness to experience it in fiction when I have to put up with it in life is very low.
"Sonokrom is a place that has not changed for hundreds of years; the men and women speak the language of the forest, drink aphrodisiacs with their palm wine and commune with the spirits of their ancestors. However, the woman's intrusion and ensuing events lead to an invasion from Accra, the capital city, spearheaded by Kayo; a young forensic pathologist convinced that scientific logic can shatter even the most inexplicable of mysteries."
Warning: cruelty to woman, cruelty to children
Two things
- I'm gonna need to vent for a few days (weeks?) until I stop having all these feelings
- This was SO MUCH LESS HORRIBLE because I had support and advice and information so I am paying it forward.
On stalking: It is never OK to do this kind of thing, it is not funny, it is not sexy. It made me feel unsafe. It meant the next day, until he was gone, that I second-guessed every interaction at that conference (of which men were probably 90% of the attendees) and wasted a lot of energy managing anxiety when I could have been benefiting from that very expensive conference ticket. I’m probably going to be having feelings about this for a long time.
On social networks: I was too busy being half awake and alarmed to have an effective response when this happened. It took time to process, it was my social network who prompted me through calling security and requesting the room change, I asked for my conference ID badge to be redacted on my own, but it took a few hours before I was thinking strategically and not just feeling overwhelmed. They validated my feelings, made me feel like it was OK to ask for what I needed, and meant I never felt alone.
THANK YOU.
Treasure the good people you meet in your life, nurture those relationships and share your strength when you can.
On scripts: Being prepared, having a response, knowing what I could say or do or expect can make a huge difference to my emotional well being, and to how I choose to act. It enables me to act rather than freeze up in difficult situations, it means I can protect myself, and it means I can stand up for myself and others.
My proposed future Script
- Complain to hotel security, that’s what they are for
- Request a room change, a different room when someone creepy knows where you are is A Good Thing.
- Complain to the police - I am sad I did not do this, awful!person could have been going home with a police record that might contribute to a future someone’s safety.
On positive action: One of my coping strategies is to try and find a positive action I can do, it helps me channel fear and anger into something that generates better feelings, and makes me feel less helpless when faced with something awful. My positive actions for this event are:
- To share this with you; may this be in some way useful or empowering for you
- To inoculate my workplace (via complaining about this a lot) in order to a) share my script with female coworkers and b) let my male coworkers know this is not OK and has consequences.
- To reflect on how lucky I am to have such excellent support networks, that there were responsive hotel staff, and supportive conference staff
Gah. The End.